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August 2018
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Aloha Poke Co. Rewarded For Trademark Bullying With Protests Outside Its Headquarters In Chicago

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On the matter of trademark bullying, we typically talk about these cases as matters of legal outcomes and courtroom repercussions. Less discussed is the power of the masses in the form of protest and public shaming in order to combat trademark bullies. And, yet, that appears to be part of the equation trying to solve the irritation that is Aloha Poke Co.'s trademark bullying of actual Hawaiian poke joints out of their own culture.You will recall that we recently discussed Aloha Poke Co., the Chicago-based poke chain that doesn't count any actual Hawaiians among its founders, firing off cease and desist letters to all manner of other joints that use some version of "Aloha" and "Poke" in their names. Most of these other entities are owned and operated by actual Hawaiians, from which both words and their cultural relevance stems. With so many entities out there using what are fairly generic terms in the realm of anything Hawaiian, the suggestion for public confusion made by Aloha Poke Co. seems spurious at best. Perhaps as importantly, if the company thought that the public wouldn't get wind of its bullying, it appears that it was very, very wrong, as protests at its Chicago headquarters have been organized.

The first protest is 10 a.m. to 2 p.m. Friday in front of Aloha Poke Co.'s corporate headquarters at 303 W. Madison St. Another one is scheduled 12:30 to 2:30 p.m. Aug. 15 in front of the company's Lincoln Park location at 818 W. Fullerton Ave. A march in the Loop is also being planned for Monday, though details are still being confirmed.Lanialoha Lee, who founded Aloha Center Chicago, is spearheading the Aug. 15 protest. She first became aware of the controversy after watching the video from Dr. Kalama O Ka Aina. "Everybody I know messaged me about it," says Lee. "It was all over my Facebook. I was really stunned." Lee hopes that the protests open "more eyes on the corporate level and at the restaurant level."
Most of those involved in organizing the protests are setting their aim on educating the restaurant as to how important these words and dishes are to Hawaiian culture, not to mention how those terms have been shared without incident across many businesses and restaurants. While that is exactly the right tone to take, it seems likely that the press surrounding the Chicago company being protested by Hawaiians and those interested in protecting Hawaiian culture will play a role as well. That will be all the more the case given some of the incendiary language choices the restaurant has engaged in when responding to the first news reports on its bullying, such as calling it all "fake news."That kind of public exposure and shaming can have as profound and a far speedier impact than any legal proceedings. Aloha Poke is in the business of making money, after all, and this kind of exposure and coverage carries no positive public relations weight at all. If trademark bullies can be defeated in the court of public opinion rather than in actual courtrooms, all the better.

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SXSW Panel Pitch: Science Fiction Dreams Of Electric Jobs

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As you may recall, we've been working on a big fun project called Working Futures that mixes scenario planning and science fiction to start thinking about what the future of work might really look like. We've had a lot going on behind the scenes on that project, so expect more in the future. But, for now, we're also pitching a panel at SXSW next year on this topic entitled: Science Fiction Dreams of Electric Jobs, in which myself and Berit Anderson from the sci-fi/scenario planning company Scout.ai would be joined by two incredible science fiction writers, who have both worked in tech for years, and who are brilliant and insightful, Nicky Drayden and Ramez Naam, to discuss this topic and maybe do a little live scenario planning as well.But the way SXSW works (if you don't know) is that part of determining if your panel is accepted is that all the panels that make it past the first level of review then are put up on SXSW's "Panel Picker" platform for people to vote on over the next couple of weeks (voting closes on August 30th). The voting doesn't fully determine what makes it (I believe it only accounts for about 30% of the decision), but obviously it does help. So if you think this would be a good panel at SXSW, please head over and vote (and... if you think it would be an awful panel, you should go vote for some of the other stuff, much of which looks pretty awesome as well).

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